Sunlounger - Acapulco Waves (NL's Summer Journey Mix) HD Waves NLS RusTuts.com ( ) a5qIf you look at how analogue consoles are used there are arguments for placing them at the start of the processing chain, at the end and in the middle.simon.a.billington July 14, 2021, 9:51am 14. Developed in association with top producer/engineers.Waves NLS - Metal Mix Roger Shah pres. Over 100 individually modeled channel and summing buss amps. Three legendary consoles in one plugin. Features: Non-linear summing enhancement. Waves NLS delivers to the digital realm the depth and richness that has long been associated exclusively with analog gear.
Processors placed on aux busses then get fed into the mixer via other channels.Once the audio passes through the mixer, in a tape based setup it goes on to the tape recorder. Which might be pretty much anything really. So to my mind they go after anything that would be used as an insert effect/processor. Then may be passed to inserted processors then on to the eq and channel fader. Generally I go with putting NLS at the end because that seems to be where it has most of its limited impact.As for the SSL or similar console strip emulations, in a mixer-based studio the signal usually gets passed through the preamp. The more voices that speak out, the more likely it will be introduced.Hugh Johnson, longtime FOH engineer and production manager for country music superstar Vince Gill, explains how Waves NLS Non-Linear Summer has become an integral.
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Emulations can do because of the character of their eq and dynamics.NLS certainly makes a difference, on tracks/channels the idea is to place it last in the chain, on buss's you place it first. As should the master, or if you mix to a stereo bus which then feeds the master that bus instead.If there are only a few tracks I’m not convinced NLS makes much difference, but the SSL, Abbey Road etc. A reverb bus, should also have console and tape emulators of their own. Not forgetting that any auxiliary busses/send channels, e.g. So in that kind of setup you have channel->tape->channel, plus whatever else is being used to process the audio.I generally short-cut the decision making and put them last, or next to last if I’m using a tape emulator as well.
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If the OPs uses the plugs this way, then the SSL channel strip would come second. Of course all processing is done non-destructivly. Think acoustic instruments, and as the above post suggests this is for colouring of the input of the audio signal. The first at the beginning of the signal chain, which I don't use very often, and would only use if I was going to create an almost exclusively analog track. And even though it may appear obvious to some - you should still really think about it and then decide how to employ these console emulators.As two of the posters above have suggested, there are two ways to use these plugs. A word on the ProChannel, don't get to hung up on it, it is nothing more than a glorified FX bin, nothing special or remarkable about it, or what it contains, you can achieve exactly the same using a plain old FX bin, it's pretty much a gimmick IMO, of course the fanbois would disagree, but whatever makes you happyI believe that I may have the best understanding of this question, as I spent some time fathing about in the beginning with this very same question.
The SSL was designed and brought onto the market for these reasons I suspect. I've just complicated a 100 track piece and it would have sounded really bunched up in the low-mids if I'd used the TG12345.the neve might have been able to handle it.but it still would have been probably too dense in those low-mids. So for me, the SSL is ultra clean and really good for punch and indeed really big mixes. Think as I've mentioned, a larger dynamic range and indeed less glitches and mid harshness when doing a lot of processing to said audio file, which adding in second and third level harmonic distortion is.NLS.Finally also be aware, that each emulated console is useful for different types of production - aesthetics.
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